Sunday, 24 November 2013

Conventions of Documentary

Conventions That were shown in Supersized Me


Voiceovers (Scott Chapin)
Voiceovers bring the voice of reasons to facts brought into the documentary, the confirmation of the facts, authoritative but also encouraging to the watchers , that gives them more of a understanding as the voice seems to give some sort of specialist knowledge on the current subject, therefore backing up the images on screens.

Voiceovers are capable of going other any scene, in Surpersize Me voiceovers were accustomed to images and animations with quotes and facts to match to make the scenes more interesting so that more people would watch and listen to what is being said .







Animations & Diagrams

Animations & Diagrams are used to display and backup information mentioned by voiceovers, making it easier to understand and to show how it would really look or compare to other things. This is taken from Supersize me showing both annotations and diagrams to back up information being said by the narrator. This also mentions text which also tend to be believed by the audience and are a quick of convey information and is usually followed by diagrams.

Archivial Footage

Archival Footage is material footage obtained from a film library or archive and put into a documentary to show historical events or to add detail without the need for additional filming. It always there to be relevant things associated to the documentary in the documentary that can/ could've been taken from any time period. This is used in all sorts of documentary as it backs up topics relevant and things that can evoke emotions to viewers.

Technicality Of Realism 


Technicality of realism is where the documentary creates states of realism using natural environments affected by the light and sound. This is used a lot in Supersize Me showing how bad the food and what it is doing to him. The natural light & sounds conveys various other things you wouldn't be able to get from a normal artificial light and sound filled place.

Sound

Sounds within Documentary can be used among scene transfer and overlapping photos to make a segment more interesting or to present something in a certain way. This is used a lot in Supersize Me like when text snap shots are moved across the screen.

Visual Coding / Expert participants

Visual Coding is the mise en scene of a scene where the interviews or say this person is doing to show they are professional at what they doing. In supersize Me this used a lot as he visits the doctors lots and to show that these are doctor they use medical equipment in the backgrounds and them looking really like they are doctors, this also affects the interview as since they like what it says they, that means what they are saying is relatively true.



Tuesday, 19 November 2013

stop motion Animation formats


    Stop Motion Formats 


Clay animation
Each object or character is sculpted from clay or other such similarly pliable material as Plasticine, usually around a wire skeleton called an armature, and then arranged on the set, where it is photographed once before being slightly moved by hand to prepare it for the next shot, and so on until the animator has achieved the desired amount of film. Upon playback, the Human Mind of the viewer perceives the series of slightly changing, rapidly succeeding images as motion.
A consistent shooting environment is needed to maintain the illusion of continuity: objects must be consistently placed and lit, and work must proceed in a calm environment.
A subvariation of clay animation can be informally called "clay melting".Any kind of heat source can be applied on or near (or below) clay to cause it to melt while an animation camera on a time-lapse setting slowly films the process.
Producing a stop-motion animation using clay is extremely laborious. Normal film runs at 24 frames per second (frame/s). With the standard practice of "doubles" or "twos" (double-framing, exposing two frames for each shot) 12 changes are usually made for one second of film movement. Shooting a 30-minute movie would therefore require making approximately 21,600 stops to change the figures for the frames; a full-length (90-minute) movie, 64,800--and possibly many more if some parts were shot with "singles" or "ones" (one frame exposed for each shot).
The object must not altered by accident, slight smudges, dirt, hair, or dust. Feature-length productions have generally switched from clay to rubber silicone and resin cast components.
-
WIKIPEDIA
http://en.wikipedia.org/wiki/Clay_animation


                                                                 Paper Cut Outs



Cutout animation is a technique for producing animations using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or even photographs. The world's earliest known animated feature films were cutout animations (made in Argentina by Quirino Cristiani); as is the world's earliest surviving animated feature.

Today, cutout-style animation is frequently produced usingcomputers, with scanned images or vector graphics taking the place of physically cut materials. South Park is a notable example of this transition since its first episode was made withpaper cutouts before switching to computer animation.
More complex figures depicted in cutout animation, such as insilhouette animation, often have joints made with a rivet or pin – or when made on a computer, an anchor. These connections act as mechanical linkage which have the effect of a specific, fixed motion.
                                                                            - WIKIpedia
                                          http://en.wikipedia.org/wiki/Cutout_animation
 
 

                                                                   Toy-Mation/ Puppet

 
 
Toy-mation uses a toy, such as an action figure or a Lego figure as the model used for animation. Toy animation works as you move the model / toy step by step to create a full movement due to a  some toys limited movement, it causes a more robotic feel especially from lego, since lego is the most commonly used in toy-mation. This would also Count as Puppet animation due to the fact the animator ( usally lego for inexperienced ) moving and using a pre model to recreate or create scenes depending on what was planned. The difference between puppets and Toymation is that puppets can filmed constantly meaning it would count as a stop motion

                                              Mixed Formats

(Robo chicken)
 
Mixed formats is usally where formats a mixed to create a series of textile complicated scenes/ scenery, Commonly mixed together are usually Toy-mation/Puppets and clay animation. 
 
 
 
 
 



Monday, 18 November 2013

Ideas mindmap 2


Whiteboard Idea

This idea came together by playing the infamous pokemon game.
Two animals will be fighting in this generic pokemon where the betters will be seen as an effect on the match, However as the match continues WWF intervene and change the course of the match which will then change the scenery into a Positive Wildlife reserve in which all sorts of animals are seen playing.
This will all be done in a limited palleted with mainly The colour black will be used , It give off the feel like gameboy color with the color scheme planned.

The concept is have the color to look more like shading and the primary color on each animal would be the white that covers primarily most of there body but where it is shading will use the least deeply intensified colours.
As for when the animal owners are in the battle screen they will follow the same color scheme but just looks a bit more menacing than the animals themselves.

Thursday, 24 October 2013

Animation Timeline


Astro Boy (1963)

Plot
In the year 2000 AD, the scientist Dr. Boynton, grief-stricken over the death of his son, Astor Boynton, III, in a car accident, decides to create a super-robot in his sons image. He calls it Astro Boy. Astro Boy can swim oceans, leap over mountains, even fly into space on his own power! When Astro Boy fails to grow, Dr. Boynton is disappointed at having created the imperfect child machine and disowns the youngster and Astro Boy falls into a series of misadventures. He is saved  by Dr. Packadermus J. Elefun, who becomes his friend, conscience, and legal guardian throughout the series.
Astro Boy was one the first television series to ever be adapted from manga published in 1952 (first of anime ), then was remade varies time through out 2003 , 2007 and a film in 2009.
   -Wikipedia 
The original series was made a the traditional technique called cel shading. There was often a top cel sheet where the lineart (art with only lines) was. This was inked with marker and then followed by the background cel sheet which slid underneath and was coloured again, with marker with some additions in watercolour done on a separate cel sheet. This was a very long process and is greatly admired by many animators.





                   Fat Albert and the Cosby Kids (1972)


         Plot
This colour Animated Saturday-morning television cartoon about Fat Albert and his friends. The situations portrayed usually had morals and messages to children as these kids got into and out of various kinds of trouble.
This educational Tv showed debuted In 1972 - 1985 on CBS as its first run, and syndication for its last year, This show was too educational for NBC.




Galaxy express 999 (1981)

Plot
set in a space-faring, high-tech future in which humans have learned how to transfer their minds (but not their emotions) into mechanical bodies, therefore humans are practically immortal.

This title has many series and a films under its name,The manga won the Shogakukan Manga Award for Shonen in 1978 and the anime series won the Animage Anime Grand Prix prize in 1981.
The title film was done in a Traditional Animation style using Cel Shading.


http://totalbullshitblog.wordpress.com/2013/07/20/a-guide-to-the-animated-batman-shows-


1990s-onwards/


A Guide to the Animated Batman Shows (1990s onwards)




1992-95 Batman: The Animated Series

 The “classic” Batman, the one that started it all, it seems. With Bruce Timm’s individual animation style that’s been used in other TV shows (Justice League, Justice League: Unlimited) it had a dark film noir animation The villains we see are the usual recurring characters such as, The Penguin, Poison Ivy, Harley Quinn, Scarecrow, Catwoman, The Riddler, etc.





1999-2001 Batman Beyond


 This is a sequel to  an older batman animation and is set deep in the future when Bruce Wayne is no longer able to carry on being Batman and so decides to mentor a replacement. 17 year old Terry McGinnis, becomes the new Batman, has a new suit and a very different attitude than Bruce did. This show also stars some cool people such as Terry’s girlfriend Dana and computer genius Maxine also new villains make an appearance in the futuristic Gotham City.



2008-11 Batman: The Brave and the Bold

This show is much lighter in tone than any of the batman animations and is set in the 1940s origins with the hero and heroines’ costumes. Each episode features two parts: a adventure short before the theme song and the main storyline after. The introductory adventure has no relation to the main adventure. Each episode contains a lot of  heroes from the DC Universe, as Batman teams up with them to save the day.



2013- Beware the Batman


The newest Batman show – now in CG animation. The creators are bringing in less popular villains to mix things up.

                                 CGI

A human-like robot is given a walk cycle.

 

Step One: Scripting , like with any animation technique a script is created on the scene layout and what is happening within the scene.
Step Two: Story boarding, after the script is done they storyboard the script and it is drawn out into many 2D drawings, showing a rough sketch of whats going on and whats in that scene.
Step Three: Layout, the character designs and backgrounds are rendered in 3D. Animators then create basic models of each 3D character, using clay or a 2D sculpture as referencing. Once the 3D characters & backgrounds are made they begin positioning and finding what test shots to use and the movements in the scene.
Step Four: Animation, the basic character models are now posed and moved to their finalized movements. Everything from mouth flaps to footsteps are created at this stage. Similar to 2D animation, each frame is created and then tweaked very slightly from one frame to the next.
Step Five: hair, lighting, and textures, are placed onto the animation, this is hardest step as every sing hair is animated and so its  hard to keep track of.


All images courtesy of: Batman & Cartoon Network Wikia, Fanpop
- Multimediamcc



Thursday, 10 October 2013

WWF Reasearch


WWF Research



Poachers kill over 11,000 elephants in Gabon

6 February 2013
Yaoundé, Cameroon (6 February 2013) - A new study confirms what has been long suspected: elephant populations are being decimated to the point that the survival of the species in Central Africa is now in question.
According to a study by the Gabonese National Parks Agency, WWF and the Wildlife Conservation Society (WCS), poachers have killed an estimated 11,100 elephants – between 44 to 77 per cent of the population –in parts of Minkébé’s National Park and its surroundings in northern Gabon since 2004, when it held Africa’s largest forest elephant population.

“The situation is out of control. We are witnessing the systematic slaughter of the world’s largest land mammal,” said Bas Huijbregts, head of the Central African strand of WWF’s global campaign against illegal wildlife trade.

“Some reports lead the world to believe that the ivory war has moved from the Central Africa region to other parts of the continent. This is wrong. What has changed is that these criminals are now also attacking the better protected elephant herds in Eastern and Southern Africa.”

“But here in Central Africa, unnoticed to the world, elephants are losing this war at lightning speed.”

A regional crisis

Fiona Maisels, a conservation scientist at WCS who has been analyzing the survey data, said that the data pointed to a regional crisis.

“The Minkébé data are representative of trends across all remaining forest elephant strongholds in the region, not to speak of the Democratic Republic of the Congo, which is believed to hold 7,000 to 10,000 elephants, or less than ten per cent of its population twenty years ago,”

Gabon, Maisels explained, represents only about 13% of the forests of Central Africa but is home to over half of Africa’s forest elephants. The Minkébé National Park, in turn, is home to Gabon’s biggest elephant population and to probably the largest forest elephant population in Africa. “At least until these data came out,” she said.

In the Central African Republic (CAR) - which in the mid 1980’s held up to 80,000 elephants – poachers are taking advantage of the political instability to wipe out the country’s remaining elephant, which can now number in the thousands.

Speaking from Bayanga in southwest CAR, Guian Zokoe, who is in charge of the Dzanga-Sangha Protected Areas for the CAR Ministry of Water and Forests, says poachers have killed at least 17 elephants around the Ngotto forest in the south of the country in the past few days. Unconfirmed reports by villagers hint that some sixty elephants were also killed further north, near the town of Yaloke, he said, adding there were reports of killings throughout the country.

“The Central African Republic’s new government has to send its armed forces to stop these poachers before they hit its last elephant stronghold, Dzanga-Sangha, a recently declared World Heritage Site.”

“It is not just a question of protecting CAR’s natural resources, but of stopping these armed groups from waltzing around the country and terrorizing local populations wherever they go,” Zokoe added.

How to end poaching

Although solutions to effectively address the poaching crisis in the region are varied, what can be concluded is clear: left unaddressed, Central Africa’s elephants will follow the footstep of their western black and northern white rhinoceroses, both hunted to extinction.

“Governments in the region such as Cameroon, Chad and Gabon are recruiting more rangers and send their armies to fight these poachers. But that is not enough,” Huijbregts says.

“The international intelligence community needs to get involved in this fight as soon as possible, in order to identify, track and put out of business these global criminal networks, which corrupt governments, erode national security and hamper economic development prospects.”

But Huijbregts explained that to effectively put an end to the poaching crisis, countries in in East Asia would need to address their exploding demand for ivory, which is resulting in record prices.

“Unless the governments of the region and demand countries treat this issue as an international emergency we cannot rule out that, in our lifetime, there will no longer be any viable elephant populations in Central Africa,” Huijbregts said.
 Source - http://www.wwf.org.uk/what_we_do/press_centre/?unewsid=6475


Elephant family wiped out by poachers in Kenya - urgent response needed

10 January 2013
We’re shocked by the news this week that an entire family of 12 elephants has been machine-gunned and butchered for their tusks in Tsavo National Park in Kenya.

It’s the single worst elephant slaughter ever recorded in the country. Kenya’s wildlife service says it’s already on the trail of the poachers and is hopeful they can be caught. But it’s just the latest in a string of barbaric attacks on threatened and prized species like elephants and rhinos across Africa - and we need to see international action immediately.

Drew McVey, our African elephant and rhino specialist, says: “This horrific crime demonstrates the lengths that poachers will go to get ivory – even killing a two-month old calf.

“It highlights the need for the international community to work together to address the global increase in poaching and wildlife crime. Not just in the African states where elephant populations are being targetted, but also in the destination countries, particularly in Asia, where there are consumers driving the demand, as well as in the transit territories through which illegal ivory and other animal parts are being smuggled.”

As our campaigns director Colin Butfield told ITV news today, punishments for those at the top of the criminal cartels involved are “not at all commensurate with the crimes”.


Even though Kenya banned ivory trade in 1989, in line with the internationalCITES controls agreed that year, elephant poaching and ivory smuggling have been on the rise again across Africa in recent times - mainly because of growing demand from increasingly wealthy consumers in countries like China and Thailand (usually for ivory ornaments or jewellery).

Tom Milliken of our wildlife trade monitoring partners TRAFFIC has referred to the situation as an "elephant crisis", telling ITV news: “We’re talking about thousands of elephants being killed in a single year - that’s not sustainable in the long-term.”
Source - http://www.wwf.org.uk/wwf_articles.cfm?unewsid=6413
















Poaching has traditionally been defined as the illegal hunting, killing or capturing of wild animals, usually associated with land use rights. Until the 20th century, mostly impoverished peasants poached for subsistence purposes, thus supplementing a scarce diet. By contrast, stealing domestic animals such as cattle raiding is considered theft, not poaching. Since the 1980s, the term poaching has also been used for the illegal harvest of wild plant species.
In 1998, environmental scientists from the University of Massachusetts Amherst proposed the concept of poaching as an environmental crime, defining any activity as illegal that contravenes the laws and regulations established to protect renewable natural resources including the illegal harvest of wildlife with the intention of possessing, transporting, consuming or selling it and using its body parts. They considered poaching as one of the most serious threats to the survival of plant and animal populations. Poaching is considered to have a detrimental effect on biodiversity both within and outside protected areas as wildlife populations decline, species are depleted locally, and the functionality of ecosystems is disturbed.
Source - http://en.wikipedia.org/wiki/Poaching


What we do – and why


Best known as the world’s leading independent conservation body, we’ve seen first-hand how the health and security of people, wildlife and the environment are all interlinked. 

That’s why our passion for safeguarding the natural world has to be backed up by other environmental action - tackling the urgent threat of climate change (with our big global campaigns like Earth Hour) and promoting sustainable use of resources by helping to change the way we live.




Source - http://www.wwf.org.uk/what_we_do/

About us

There's more to WWF than pandas and tigers…

We’re well known for our pioneering work to save and protect iconic wildlife like pandas, tigers, whales and rhinos - and we’ve had some great achievements in those areas since we started in 1961.

But that’s only part of the story. 
Women, members of a WWF supported project, on a plantation in Mambele, East province, Cameroon
Our ultimate goal has always been “people living in harmony with nature” - so we're about respecting and valuing the natural world and finding ways to share the Earth’s resources fairly.

To achieve that, we spend a lot of time working with communities, with politicians and with businesses too. Most of the threats to wildlife and habitats come from human pressures and increasing demand for food, fuel or water.

Bigger impacts

To address these threats to the natural world we’ve set ourselves ambitious targets on six ‘big wins’. We’ll meet these, and other key challenges, by 2018.
A
Young Sumatran tiger cub

Wildlife restored

Populations of 10 of the world’s most iconic and threatened species are safeguarded.
Our focus is on tigers and other species in Asia: Amur and snow leopards, Javan rhinos, orang-utans, freshwater dolphins and porpoises, and giant pandas. Elsewhere we support black rhinos and polar bears.
© BBC Blue Planet

Forests and oceans sustained

There’s a significant increase in the area of forests and oceans effectively managed and protected.
Millions of hectares of forest habitats will be maintained in the eastern Himalayas, east Africa and the Amazon. In the oceans, we’re focusing on: tuna fisheries in the Pacific and western Indian oceans; the polar regions; and the seas around the UK and Europe.
river © WWF-UK

Rivers flowing

Four of the world’s great rivers – the Yangtze, Mekong, Ganges and Amazon – have secured or improved flows, and UK rivers are restored.
We'll influence policies on dam building, as well as river basin management plans with diverse stakeholders including those using British chalk-streams.
Rainforest © WWF-Canon / Alain COMPOST

Sustainable timber and seafood traded

Timber and seafood sectors in the UK are radically changed.
This builds on our work with retailers and wholesalers to ensure sustainable trade, based on sustainable production and supported by sustainable consumption – so that natural resources are maintained and even restored.
wind turbine

Carbon emissions reduced

We’ve worked in coalitions to shift energy policy and reduce carbon emissions sufficiently to avoid catastrophic impacts of climate change.
We’ll continue to press for strong climate targets and work with the WWF Network to reduce carbon emissions in major new economies.
A male Uganda Kob  in Virunga National Park, Democratic Republic of Congo.

Valuing nature

We’ve ensured that the true values of nature are reflected in political 
and economic decision-making in our priority places. This will support sustainable development by integrating the value of environmental resources and biodiversity into national polices, and relating this to decisions on landscape planning.
































WWF-UK strategic plan 2013-18
Our global mission is to stop the degradation of the planet’s natural environment and to build a future in which humans live in harmony with nature. Find out how we plan to tackle the most serious environmental problems facing our planet in the coming five years.
Source -http://www.wwf.org.uk/what_we_do/about_us/


How you can help


All our work and our successes - helping vulnerable wildlife, habitats and communities around the world - are only possible with your support.
Here are the main ways you can get involved right now:
Snow leopard

Adopt an animal

Adopting an endangered animal is one of the best ways to support it, and to protect the whole species. It also helps make a lasting connection with your chosen species, whether it's a panda, tiger, orang-utan or polar bear...
Supporters signing WWF's petition for a strong Scottish Climate Change Bill

Campaign with us

WWF is listened to by decision-makers around the world, and the more backing we have from you, the louder our voice becomes. Whether signing up for Earth Hour, or asking MPs to strengthen bills on energy, logging or marine protection, your help is invaluable...
London Triathlon - cheering on our athletes

Fundraising events

Fundraise for WWF by taking part in one of our exciting events or have fun organising your own.
Rio Negro forest reserve, Amazonas, Brazil © WWF-Canon / Michel Roggo

Help WWF and Sky save a billion trees in the Amazon

WWF has joined forces with Sky for an exciting new campaign to help protect part of the Amazon rainforest in Brazil. Our target is to safeguard a billion trees, covering an area about the size of Belgium.
Go Wild Logo

Join the Go Wild club

If you know anyone aged 7-11, check out our Go Wild club. With games, stories, mags and goodies, Go Wild is an exciting way to learn fascinating facts about wildlife, and meet new friends like Lottie the otter and Roary the tiger.
A penguin perched on an iceberg, Antartica

Join WWF

Become a WWF member for as little as £3 a month (or as much as you'd like to spend), and we promise to use your money wisely to support our vital work – and keep you informed with our lively magazines and email updates...
Crinoids, a type of sea star, often grip soft corals and feed alongside them in fast, strong currents. Fiji © WWF/C Holloway

Make a donation

WWF urgently needs funds to help protect endangered species and their habitats around the world. Please give all you can and we promise to spend your money wisely.
WWF Shop tote bag

Shop with WWF

Every purchase you make at the WWF shop directly supports our global conservation projects, helping us protect the world’s most vulnerable places, people and species - building a future where people and nature thrive...
Butterflies alongside the Amazon River © WWF-Canon / Zig Koch

Leave a gift in your will

Even after you've gone (hopefully a long while yet), you can still help ensure future generations have a world worth living in by remembering WWF in your will.
Farmers Market Vegetables

Change how you live

In wealthy countries like the UK and US, our excessive and wasteful use of energy, water and food puts great strain on the natural world – as well as giving us a huge carbon footprint. We can all help by taking steps to make our lifestyles more sustainable and energy-efficient...
Source -http://www.wwf.org.uk/how_you_can_help/