Showing posts with label Unit 32 LO1. Show all posts
Showing posts with label Unit 32 LO1. Show all posts
Friday, 26 October 2012
Research Proposal
Research Proposal
To: Miss
Moore
From:
Jonathan Adebanjo
Date: 15/10/2012
Subject: Research Proposal
Proposed Research Topic:
Ident Research
Purposes:
To develop a suitable effective ident
which suits Film 4’s Corporate Identity and is appealing to their target
viewers, it should also fit their current channel theme and mood.
Background
This will involve deep research into
the channels identity, theme and the techniques used in most of Film 4's current
idents, and also what appeals to the target audience and how it will
effect the mood to the next film / program on the program schedule.
Scope:
I will invest a lot of time into
collecting information on what techniques are use in their idents, I will also
be looking at the current themes invested into their idents, I will be looking
at what times the audience peaks and how the idents are related to this
information; seeing which ones relate to idents shown in the day to the idents
shown in the night if there is a difference. I will also show how the idents
relate to the shows on next, I will conduct research in questionnaires on at least 20-30 people
from the ages 15-60 as film4 aims at these ages, I will conduct interviews on
10 separate people from these ages groups. To find out more about my target audience and what would make a good all round ident that will fit the corporate of Film 4.
Method:
I will ask the interviewee about what
they watch and when they watch it , soon after I will ask them about TIME they
usually watch film 4, and WHAT type of film is on during this time, and this help me amass an all round view of what the majority that watch Film 4 have in common to finding similar points of what may affect the corporate identity of Film 4, and how it will help me improve the ident concept thus far. I would have to be close to Film 4's Theme and recurring mood they try to inflict on the audience during they're older idents.
Timetable:
Prepare proposal by 1/2/13
Complete fieldwork by 20/3/13
Complete analysis by 10/3/13
Give presentation on
Complete final report by 10/5/13
Complete final report by 10/5/13
Limitations:
When creating this Ident , I wont be
able to use CGI effects and big actions , I wont to control the weather also so
that could change the theme my Ident has. I will be planning to use basic effects
to set moods that may effect the audience so that they'll know a slight overview on the next program / film. in this i will be limited to the broadness of the ident also, meaning i cant try a various amount of effects , i would only be able to use 1 or 2 similar effects that work well together so that there isn't much going for the audiences.
References
[List all references cited that are
not on the course reading list]
Merit
|
Distinction
|
|
Unit 3
|
Explain the nature
and purposes of research in the creative media industries with detailed examples
and with generally correct use of subject terminology
|
Comprehensively
explain the nature and purposes of research in the creative media industries
with elucidated examples and consistently using subject terminology correctly
|
Wednesday, 3 October 2012
Corporate Identity Theory
CORPORATE IDENTITY
THEORY
In This essay I will
talking about corporate identity theory and how companies and businesses, I will
be looking into a channel called Nickelodeon and how they use this to keep
originality and brand their products, this also makes it easier for the
company to be more easily recognisable by their audience, the purpose of the
essay is to show how businesses and companies use corporate identity theory. To
make them more noticed by their target market and to increase market share.
Corporate identity theory is what the
company brand stands for and their business objective. Most companies usually use things to aesthetically pleasing signs and
symbols such as logos. To make their company distinguishable and so that it
appeals to their target market to help their market share increase. They also use
jingles. They do this because all Companies do not want to be confused with similar
companies with similar objectives, so to make sure they have certain guides to follow, so that companies
don’t use exactly the same symbols and jingles. They use a ‘package of tools’ called the Company Identity
Manual. This helps the company by
showing ways of keeping visual stability of brands and helps their target
market to be able to identify the brand across all platforms and making them
more easily distinctive to their target market.
A channel such as
NICKELODEON have an audience of kids and their families, so they do countless
amounts of research of kids and their families to constantly improve their
moral ethics and company culture to increase their market share. They have a
national online panel of nearly 2,000 kids and families, used to maintain a
stability with their audience, as Nickelodeon have a goal of making a positive
impact on UK family life, Nickelodeon have different sub channels
catering to a seperate focus, like Nickelodeon focus on pure acted comedy’s and
mysteries , so targeting to older children around 14+ and, NickToons focus on animations ,
catering for older ages groups such as 10 and above , However NickJr also does mostly animations but catered
for children in preschool , this shows the certain platforms Nickelodeon are
focusing on ; the range of kids in a typical Family in the UK. To Make
Nickelodeon distinguishable from other channels like Disney Channel and Cartoon
network anThat share a similar business objective they use a perceptible
logo, made of words in Calligraphy
In corporate design
companies use this to make original logos made to brand and make themselves
recognisable to the public and distinctive from other companies, many companies
use a lot variations because if 2 companies shared the same logo, it would be
hard to tell the difference between them. This picture shows the old Nickelodeon
logo against the new one. The old logo is a splat with words ‘Nickelodeon’ in
the middle of this splat, the splat is a variant of orange as orange is neutral
colour and doesn’t refer to any sex orientation, because this colour appeals to
both girls and boys also the brightness will appeal more to children. The
typography of nickelodeon in the splat is a child friendly typographic so its
very chunky and simple, making it easier to read. I find this logo very
childish and think it symbolises play. The new logo is different as it is not
in a orange splat, but the typography is variant of orange still keeping the
neutral sex colour scheme. The typography is still chunky but more rounded
around the edges as its all in lower case, the ‘I’ is slightly connected as if
its dripping off against gravity, Nickelodeon still use both symbols as they
both have positive effects on the audience, also they both stand out because of
their variants of orange. Their
typography also catches the eye of those familiar with it. On the channel
nickelodeon put their logo on screen at the bottom right at all times on the
screen so then the audience always know they what watching, the logo isn’t
transparent like on some channels this is because some people may not be able
to see the logo.
History of Idents
1953
when Abram
Games was commissioned to design an on-air image, probably hastened by the
imminent arrival of commercial competition. Games, who designed the logo for
the Festival of Britain in 1951, created the logo nicknamed the 'Bat's wings'
logo, an elegant and rather ethereal image which captured the spirit of the
times. In reality, it was an elaborate mechanical brass contraption, with a
tiny spinning globe in its centre – for BBC Scotland, the spot in the middle was
replaced by a lion.
The channel's
most famous emblem, the globe, appeared in its first guise on 30 September
1963. The first such ident featured the continuity announcer speaking the words
'This is BBC Television' over a spinning globe while a BBC TV caption would
appear.
The
first colour pictures in the UK were broadcast by BBC2 in 1967 when it covered
Wimbledon, to be followed by BBC1 in 1969. Then BBC 1 introduced the first
version of the now famous 'mirror globe' – a rotating globe with a flat globe
as visual behind it. The inclusion of the word 'colour' in the station ident
could be
viewed as a
subtle reminder to the vast majority of the rest of the viewers still watching
in black and white to buy a colour TV set. This BBC 1 colour globe was
frequently seen in Monty Python's Flying Circus, which featured spoof
continuity announcements.
In the 1990s,
Martin Lambie-Nairn's company took over responsibility for the BBC's idents,
having already worked on the re-branding of BBC News. And so a new look was
unveiled for BBC 1 in February 1991 just before Going Live!. It was a version of the traditional
globe, but with a much more distinctive use of the numeral '1'.
Later in the 1990s, the BBC decided a revision of the wider corporate
identity was needed, as the current slanting logo did not work very effectively
on screen – so the sides were straightened from their idisyncratic 17.5 degree
slant, the colour flashes were removed, and the typeface was rendered into Gill
Sans.
There is a neat
symmetry here, as Eric Gill who created this original typeface was also the key
sculptor for the BBC on the original Broadcasting House project in 1932, so
once again, the past is echoed and yet freshly reinvented.

Following
on from the mother brand revision, the entire suite of BBC Radio logos were
re-designed in the next decade, to make them both distinct and coherently
joined up as one family.
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